1973

Lady Snowblood (1973)

We’re just burning through Criterion movies here like the entry-level-hipster-self-proclaimed-film-buffs we are! Out of all of the films that sit on the Criterion shelf at movie stores, The one I’ve looked at more than any other has got to be The Complete Lady Snowblood. The simple elegance of the title alone was enough to hook me, and once I found out that Meiko Kaji starred as the titular assassin, I was sold. She was the best part of Female Prisoner #701: Scorpion and I was really interested to see what she could do in a less sleazy film. For those of you who read this blog just for the bad movies, I promise I’ll get back to Hellraiser soon.
142689_frontLady Snowblood (Shurayuki-hime) follows Yuki, a young woman raised from birth to be an assassin and carry out a vendetta against the leaders of a small gang in 1800s Japan. These ne’er-do-wells are responsible for killing Yuki’s father and raping her mother before her birth. When Yuki’s mother attempts to get her own revenge, she is imprisoned for life and decides to have a baby that can grow up to exact her revenge.

Now 20-something years old, Yuki prowls the countryside piecing together whatever information she can to track down those responsible for devastating her family, using her umbrella sheathed katana to doll out bloody justice whenever she sees fit.

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Don’t Look Now (1973)

Today marks a special day in Coffee and Illithids history. A while ago, I formally asked on my Facebook page (*cough* throw me a pity like *cough*) for recommendations and I got precisely one in reply. Being the wonderful human being I am, I kept procrastinating and putting off watching it until now. I’m a butt, sorry Anthony.

mv5bymuxmmy1zjytyjbhys00owu2lwe2ymetmjm0mtg1zwy2oty1xkeyxkfqcgdeqxvyntewndcxndc-_v1_Don’t Look Now is a 1973 horror-drama from British director Nicolas Roeg, a man who has directed a bunch of movies I’ve never even heard of. It stars Donald Sutherland and Julie Christie as John and Laura Baxter, two architects who are grieving the recent loss of their daughter Christine who died by drowning in a pond by their cottage. The Baxters are commissioned by a Venetian priest to help restore an old church. While in Venice Laura meets a pair of women, one who is psychic, and John begins to have odd visions and flashbacks to his daughter. The psychic while at first is warm and welcoming, eventually warns Laura that John will be in danger if he stays in the city any longer and that he must leave immediately. Odd happenings continue to happen to John and Laura the longer they stay in Venice, until John’s odd visions clearly become something more supernatural and sinister.

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