Allison Williams

Get Out (2017)

Many of you who have read through this blog probably know my opinions on Blumhouse Productions by now. For those of you who don’t, I have a tumultuous, love-hate relationship with them. They single-handedly shot horror into mainstream culture about a decade ago with low budget, decent quality movies which is awesome, but they’ve been resting on their laurels since, and have begun pandering to the lowest common denominator because they’ve discovered the secret formula to print money (See: Paranormal Activity 5: The Ghost Dimension’s $10 million budget and nearly $80 million box office return).

They seem to be running on a business model of throwing as many low budget horror movies at the wall as possible and seeing which ones stick. Majority of them are kinda shitty movies that bounce off harmlessly, but every once in a while, a real gem will come through, and when it sticks, it sticks. I’m talking non-stop critical acclaim and 4700% returns on it’s budget here, people. This ain’t some Mickey Mouse shit here.

mv5bmjuxmdqwnjcynl5bml5banbnxkftztgwnzcwmzc0mti-_v1_sy1000_cr006751000_al_Get Out is Jordan Peele’s directorial debut, and the fact that the surrealist funnyman (from sketch comedy duo Key & Peele) chose to direct a horror movie is an interesting one.

Get Out is a horror film about Chris and Rose (Daniel Kaluuya and Allison Williams) a young couple who have been going steady for a while. Rose invites Chris to spend a weekend at her rich parents’ (Dean is a neurosurgeon and Missy is a psychologist, played by Bradley Whitford and Catherine Keener respectively) house, except there’s one hang up — Rose’s parents, the Armitages, don’t know that Chris is… black. Don’t worry, because Rose assures Chris that her parents might be super-white, but they’ll try their absolute hardest not to offend Chris, no matter how cringe-worthy they might get.

White people, am I right?

When Chris finally gets to spend a weekend with he Armitages and their super old, affluent white friends, he notices things are kind of off  around the house. The two servants happen to be black, and seem to behave from incredibly off kilter to completely hostile. Some awkward phrases are exchanged between family members, their servants, and Chris and our protagonist slowly realizes that something much more sick and twisted is going on than casual, inadvertent racism.

White people, am I right?

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