Dark Comedy

Get Out (2017)

Many of you who have read through this blog probably know my opinions on Blumhouse Productions by now. For those of you who don’t, I have a tumultuous, love-hate relationship with them. They single-handedly shot horror into mainstream culture about a decade ago with low budget, decent quality movies which is awesome, but they’ve been resting on their laurels since, and have begun pandering to the lowest common denominator because they’ve discovered the secret formula to print money (See: Paranormal Activity 5: The Ghost Dimension’s $10 million budget and nearly $80 million box office return).

They seem to be running on a business model of throwing as many low budget horror movies at the wall as possible and seeing which ones stick. Majority of them are kinda shitty movies that bounce off harmlessly, but every once in a while, a real gem will come through, and when it sticks, it sticks. I’m talking non-stop critical acclaim and 4700% returns on it’s budget here, people. This ain’t some Mickey Mouse shit here.

mv5bmjuxmdqwnjcynl5bml5banbnxkftztgwnzcwmzc0mti-_v1_sy1000_cr006751000_al_Get Out is Jordan Peele’s directorial debut, and the fact that the surrealist funnyman (from sketch comedy duo Key & Peele) chose to direct a horror movie is an interesting one.

Get Out is a horror film about Chris and Rose (Daniel Kaluuya and Allison Williams) a young couple who have been going steady for a while. Rose invites Chris to spend a weekend at her rich parents’ (Dean is a neurosurgeon and Missy is a psychologist, played by Bradley Whitford and Catherine Keener respectively) house, except there’s one hang up — Rose’s parents, the Armitages, don’t know that Chris is… black. Don’t worry, because Rose assures Chris that her parents might be super-white, but they’ll try their absolute hardest not to offend Chris, no matter how cringe-worthy they might get.

White people, am I right?

When Chris finally gets to spend a weekend with he Armitages and their super old, affluent white friends, he notices things are kind of off  around the house. The two servants happen to be black, and seem to behave from incredibly off kilter to completely hostile. Some awkward phrases are exchanged between family members, their servants, and Chris and our protagonist slowly realizes that something much more sick and twisted is going on than casual, inadvertent racism.

White people, am I right?

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Ava’s Possessions (2015)

Remember that last post I made, where I briefly wrote about horror comedies? Well, I found one that actually kinda worked. I said that you need to strike a balance between horror and comedy not swaying too far to either side, and what I didn’t realize is that you can also let both those aspects fall to the background and let the story shine through. The reason I didn’t really consider that a horror comedy with very little horror or comedy would work is because I thought it would get too cluttered and water down both the scares and the laughs, making it a homogeneous blend of boring. Today, I managed to find a movie that plays down the horror and the comedy, and doesn’t really suffer from it.

mv5bmji3ndiznza1nl5bml5banbnxkftztgwodaxmte5nze-_v1_sy1000_cr006921000_al_Ava’s Possessions is a dark comedy/ drama that also happens to involve Exorcist style demonic possession. It’s written and directed by Jordan Galland who has a whole slew of credits on IMDb, but hasn’t worked on anything that I’ve ever heard of before. I honestly only checked this movie out because of a recommendation from the YouTube channel Good Bad Flicks. Netflix’s weird rating algorithm listed it as one star for me so I was never really possessed (ha!) to check it out but then again, Netflix told me I would love Tammy, so I don’t know what I was expecting.

The movie starts up as Ava (Louisa Krause), a young New York woman striking out on her own, is exorcised of a demon possessing her body. Once she’s back to normal she sees the chaos and destruction she caused while possessed, and needs to put her life back together. While trying to get back into the swing of things, she finds some clues that lead her to believe something happened one of the nights she was possessed that nobody told her about. She goes off to try and get to the bottom of it all while trying her best to rehabilitate and reintegrate into society. (more…)